Willie Xaiwouth

Born in 2001, Saiyabouli Province, Laos. Lives and works in Vientiane, Laos.
2025 Coexistence, Group exhibition of young artists at i.cat (Vientiane)
2024 Lao Contemporary Art Exhibition (Vientiane)
2024 Raise, Lao Art Week (Vientiane)
2024 No river we cry, GMS Artist Residency (Ubon Rachathani, Thailand)
2022 Urban Memories by the River Photo Contest, Glocal Connect Village Gallery, Temasek Polytechnics (Singapore)
Portrait photo by Konvilom Phachoumphonh
[Residence Program] Jul 8, 2025〜Oct 2, 2025
Willie Xaiwouth Official Instagram
Willie Xaiwouth Official Facebook
Profile
An indigenous artist from Laos whose creative practice is deeply rooted in culture, nature, and local wisdom. Working across various media including painting, photography, and installation art, he seeks to convey meaningful messages and ignite change through the transformative power of art.
What I aspire to do in Japan is to weave together the cultures of Laos and Japan through the symbolic language of bamboo, a precious natural heritage deeply valued by both nations. I aim to use bamboo as a medium to tell stories of the intertwined relationships between people, nature, and traditional ways of life, reflecting the transitions across time.
Interaction Diary

August 2 Welcome Gathering with the Museum Volunteers
Artists were invited to join a gallery tour of the exhibition Fukuoka Asian Art Museum Best Collection Ⅲ Breaking the Conventional: New Self-Portraits, organized by the museum guide volunteers. After the tour, they joined a gathering where participants brought in food and enjoyed a casual conversation.

August 1 Art Tour
The tour began from Hakata-machiya Furusato-kan, a small museum that introduces the history and culture of Hakata, including local life and landscape especially in the Meiji and Taisho eras, along with the crafts of artisans. Next place Xaiwouth visited was the Tachiarai Peace Memorial Museum, which works as a station to address the importance of peace. The last destination was the Kyosei-no-sato museum, located inside a renovated building of an old school in a rural area. There, Xaiwouth met Yanagi Kazunobu, an art director, and Oto Etsuko, a fashion designer and manager, both of whom guided the artists with detailed explanations.

July 30 Bamboo Research in Nokonoshima
At a camping site in Nokonoshima, Xaiwouth took time to see the madake bamboos used for bamboo crafts and fence, which he plans to combine with the moso-dake he got earlier for the new artwork.

July 26 Kick-off Talk and Workshop (Artist Cafe Fukuoka)
During the talk, Willie explained his previous works including sculpture, photography, installation, and painting, which focused on themes such as memory and environmental change. The artist also mentioned that he hopes to interweave Laotian bamboo culture where he got much inspiration, and another material from Fukuoka in his new residency artwork.

July 24 Visit to the ANON LIGHT BESPOKE
ANON LIGHT BESPOKE is a studio based in Fukuoka where they work for designing and producing the lighting. Xaiwouth made a visit there and learned about many things, including washi papers and their materials, as well as ideas for lighting and their source of inspirations.

July 21 Collecting Materials
On this day, Xaiwouth made a visit to a bamboo forest in Fukuoka city, to gather the bamboo trees for his work, the material traditionally used both in his home country Laos as well as in Japan. Xaiwouth cut the bamboo tress by himself and took them back to studio.

July 10 Museum Backyard Tour
Artists took time to see the collection show as well as some backyard facilities including the reference library, storage, archive, and shooting room, where they were given some detailed explanations from each appointed staff.

July 9 First Day in Artist Cafe Fukuoka
Xaiwouth met some museum staff and coordinators for the first time. After the orientation meeting and a guided tour in the museum, Xaiwouth biked around the area with other artists nearby Artist Cafe Fukuoka.