2025 Residence Laos

Willie Xaiwouth

2025 Residence Program

Born in 2001, Saiyabouli Province, Laos. Lives and works in Vientiane, Laos.

2025  Coexistence, Group exhibition of young artists at i.cat (Vientiane)
2024   Lao Contemporary Art Exhibition (Vientiane)
2024  Raise, Lao Art Week (Vientiane)
2024  No river we cry, GMS Artist Residency (Ubon Rachathani, Thailand)
2022   Urban Memories by the River Photo Contest, Glocal Connect Village Gallery, Temasek Polytechnics (Singapore)

Portrait photo by Konvilom Phachoumphonh


[Residence Program] Jul 8, 2025〜Oct 2, 2025
Willie Xaiwouth Official Instagram
Willie Xaiwouth Official Facebook

Profile

An indigenous artist from Laos whose creative practice is deeply rooted in culture, nature, and local wisdom. Working across various media including painting, photography, and installation art, he seeks to convey meaningful messages and ignite change through the transformative power of art.
What I aspire to do in Japan is to weave together the cultures of Laos and Japan through the symbolic language of bamboo, a precious natural heritage deeply valued by both nations. I aim to use bamboo as a medium to tell stories of the intertwined relationships between people, nature, and traditional ways of life, reflecting the transitions across time.

Simulation of reality, 2025
Our mother homeland, 2024
Once u-pond a time, 2024
Authority of root, 2024
Fade, 2023

Fukuoka Asian Art Museum WINDS OF ARTIST IN RESIDENCE 2025 Illuminate Our Life

Legacy in Motion, 2025 Photo by Kawasaki Ittoku
Legacy in Motion, 2025 Photo by Kawasaki Ittoku
Legacy in Motion, 2025 Photo by Kawasaki Ittoku
Legacy in Motion, 2025 Photo by Kawasaki Ittoku
Legacy in Motion, 2025 Photo by Kawasaki Ittoku
Legacy in Motion, 2025 Photo by Kawasaki Ittoku
Legacy in Motion, 2025 Photo by Kawasaki Ittoku

Interaction Diary

September 17 Workshop “Let’s Saan Together !”
(Maizuru Junior High School)

On this day, after a brief introduction to Laos and its bamboo culture, as well as his new artwork created during the residency, Xaiwouth organized a workshop where students crafted weaving patterns using colored papers.
*Saan means to weave in Lao language.

September 14 Artist Talk (Artist Cafe Fukuoka)

After having the audience look at the work freely, everyone gathered in the community space, where Xaiwouth showed photo slides to describe how he developed his art. Starting from introduction of bamboo species and bamboo crafts in Laos, the artist showed how he harvested bamboo in Fukuoka to make new artwork, as well as his research to Yame City and Saga Prefecture where he learned about mulberry paper and bamboo crafts.

September 13 WINDS OF ARTIST IN RESIDENCE 2025 Illuminate Our Life (Artist Cafe Fukuoka)

Xaiwouth exhibited Legacy in Motion.
Photo by Kawasaki Ittoku

August 11 Making Work

While cutting, shaping, and drying the bamboos, Xaiwouth worked on building the structure of the lantern.

August 8 Visit to the Nao Tesuki Washi (Saga Prefecture)

On this day, Xaiwouth spent time seeing the overall process of making washi at Nao Tesuki Washi, starting from growing paper mulberry trees, one of the ingredients of washi, until a piece of paper is produced.

August 7 Visit to Yame

Xaiwouth visited several places in Yame, for his research on bamboo crafts and washi papers. Places of visit were; Yame Traditional Craftwork Center, Yame Tesuki Washi Shiryokan (hand-made paper craft center), Matsuo Washi Kobo (washi craft studio), Machiya Curation Omoyai (local products store), Ito Gonjiro Shoten(lantern shop), and Shiraki Ko-Gei (lantern shop).

August 5 Bamboo Cutting (Nokonoshima)

On this day, Xaiwouth cut the madake bamboos, which is good for processing and making bamboo crafts. These madake as well as mosodake from Fukuoka he got in July are to be interlaced in his new artwork.

August 2 Welcome Gathering with the Museum Volunteers

Artists were invited to join a gallery tour of the exhibition Fukuoka Asian Art Museum Best Collection Ⅲ Breaking the Conventional: New Self-Portraits, organized by the museum guide volunteers. After the tour, they joined a gathering where participants brought in food and enjoyed a casual conversation.

August 1 Art Tour

The tour began from Hakata-machiya Furusato-kan, a small museum that introduces the history and culture of Hakata, including local life and landscape especially in the Meiji and Taisho eras, along with the crafts of artisans. Next place Xaiwouth visited was the Tachiarai Peace Memorial Museum, which works as a station to address the importance of peace. The last destination was the Kyosei-no-sato museum, located inside a renovated building of an old school in a rural area. There, Xaiwouth met Yanagi Kazunobu, an art director, and Oto Etsuko, a fashion designer and manager, both of whom guided the artists with detailed explanations.

July 30 Bamboo Research in Nokonoshima

At a camping site in Nokonoshima, Xaiwouth took time to see the madake bamboos used for bamboo crafts and fence, which he plans to combine with the moso-dake he got earlier for the new artwork.

July 26 Kick-off Talk and Workshop (Artist Cafe Fukuoka)

During the talk, Willie explained his previous works including sculpture, photography, installation, and painting, which focused on themes such as memory and environmental change. The artist also mentioned that he hopes to interweave Laotian bamboo culture where he got much inspiration, and another material from Fukuoka in his new residency artwork.

July 24 Visit to the ANON LIGHT BESPOKE

ANON LIGHT BESPOKE is a studio based in Fukuoka where they work for designing and producing the lighting. Xaiwouth made a visit there and learned about many things, including washi papers and their materials, as well as ideas for lighting and their source of inspirations.

July 21 Collecting Materials

On this day, Xaiwouth made a visit to a bamboo forest in Fukuoka city, to gather the bamboo trees for his work, the material traditionally used both in his home country Laos as well as in Japan. Xaiwouth cut the bamboo tress by himself and took them back to studio.

July 10 Museum Backyard Tour

Artists took time to see the collection show as well as some backyard facilities including the reference library, storage, archive, and shooting room, where they were given some detailed explanations from each appointed staff.

July 9 First Day in Artist Cafe Fukuoka

Xaiwouth met some museum staff and coordinators for the first time. After the orientation meeting and a guided tour in the museum, Xaiwouth biked around the area with other artists nearby Artist Cafe Fukuoka.